Have you heard the one about the journalist who wanted to be a novelist?

Mark Twain as editor of the Territorial Enterprise, Virginia City, Nevada, 1863

Mark Twain as editor of the Territorial Enterprise, Virginia City, Nevada, 1863

I went to a fiction writing workshop in November at which the tutor, a university lecturer, insisted that “Very few good novels have been written by journalists”. I was astounded by this statement, but said nothing during the seminar, not wanting to be seen as adversarial or—as I am a university lecturer myself—as trying to be a know-it-all and trump the teacher.
I was offended, actually, because I am a former journalist and a published novelist, and I think I’m not bad at both.
Traditionally, many young people who want to be novelists have been steered into journalism as a way of making a living but still using their writing skills. It seems most journalists I know have a manuscript half-written or ambitions to write a novel.

Anyway, this got me thinking about great writers who also worked as journalists. Contrary to what the fiction workshop tutor said, there are many great novelist-journalists. What follows is a list of just a few that occur to me. They are in no particular order and they are eclectic: that is, some are world renowned, others are much lesser known; some are from a previous age and some are current; some are literary, some populist, some both.

Ernest Hemingway
Mark Twain (pictured above)
Geraldine Brooks
Graham Greene
Djuna Barnes
P G Wodehouse
Martin Amis
Willa Cather
Charles Dickens
George Orwell
Ruth Rendell
Will Self
Linda Grant
Tom Wolfe
Susan Kurosawa

In a recent article in the Guardian on this topic—specifically on the worth of Will Self’s work—Robert McCrum examines the cliché of the journalist as unable to write good fiction:  “What lies behind this prejudice, of course, is the idea that fiction (and poetry) is a higher calling,” McCrum says. “Journalism is hack writing (it doesn’t have to be) and novelists dwell closer to the top of Mount Parnassus (well, occasionally).” Read the full article here.

A 2006 scholarly book on the subject, Journalism and the Novel, by Professor Doug Underwood, examines why so many journalists have aspired to fiction writing careers. I think it’s often the other way round: many people aspire to the seemingly more romantic and mystical calling of fiction writing first, then realise they have to make a living as well. That’s what happened to me. I was going to be a famous actor, playwright and novelist. However, making a living as a journalist is not wasted time, for journalism is a fascinating occupation that allows access to people and places that others don’t get, thus providing much material a novelist can use.

Just because someone works as a journalist doesn’t mean they can’t write good fiction: that’s faulty logic. Just because I once worked at McDonald’s, for example, doesn’t mean I couldn’t become a chef at a fine-dining restaurant; and just because I worked at Target doesn’t mean I couldn’t become a high-end fashion designer. Making a generalisation, as my erstwhile tutor did, can manifest simply as a prejudice with no evidence to support it.

So, my advice to anyone who thinks journalists can’t write impressive fiction is, read The Old Man and the Sea, Animal Farm, Huckleberry Finn, March, and The Quiet American, then get back to me.